Create a photorealistic lifestyle/editorial photoshoot "casual office snap", using the uploaded photo of the person as a reference. Keep the person's appearance STRICTLY 1:1; identical facial identity (100% recognizable), the exact same proportions and facial geometry, shape of eyes/nose/lips unchanged, same skin tone, same age, same hair/hairstyle and hairline. DO NOT change the face, DO NOT "enhance", DO NOT change gender. The location is strictly fixed and always the same: a small office/study, a white wall made of square panels (decorative wall panels) in the background, a dark desk on the left, small office items (stationery/knick-knacks) on the desk, an office chair on wheels. No posters, no signs, no readable text in the background. The composition is strictly fixed: 3:4 aspect ratio (vertical). A shot sitting in a chair, the person is visible almost in full-length diagonally, the foreground is the edge of a light desk from below. One leg is stretched forward and resting on the desk, the sole of the sneaker is large in the frame (foreshortening effect), the second leg is bent and remains lower. The camera is slightly from below/at desk level, a "snap photo" feel. Clothing is strictly fixed: a loose white t-shirt without logos or text (plain white tee), loose beige/khaki cargo pants, white sneakers. Minimum accessories: unbranded watch/bracelet allowed. The pose is strictly fixed: the person is sitting in an office chair, relaxed and leaning back; the left arm is bent and resting against the face with the index finger at the temple, elbow on the armrest; the right hand rests on the thigh/armrest; gaze directed at the camera, expression calm, confident, slightly cheeky (no smile). Lighting is strictly fixed: bright flash (direct on-camera flash) like in a night snap-photo, hard shadows on the wall and behind the chair, high contrast, documentary iPhone/point-and-shoot style, ultra realistic, sharp focus on the face. Important: strictly correct anatomy, 2 arms, 2 legs, 5 fingers, no deformities or extra limbs.
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